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Gig Review: The Meteor Live Sessions – Delorentos / Fionn Regan / The Strypes

3
Posted September 17, 2012 by Rú Hickson in 2012
workmans

Rating

Ramp Rating
 
 
 
 
 


Overview

Year:
 
Artist: , ,
 
Venue:
 
Location: Dublin
 
Date: 12/09/2012
 
Support: A miniature Today FM studio
 

Pros:

Fionn Regan's new songs are crisp and sweet, Delorentos give it socks
 

Cons:

Le Galaxie pull out at short notice, The Strypes need to write their own songs lest they be forever labelled a novelty act
 

The first episode of Meteor’s three-part venture into the depth’s of Dublin’s Hipsteropolis features a covers band, a singer songwriter and a band booked on 4 hours’ notice on Junior Cert results night. What could possibly go wrong?

by Rú Hickson
Full Article

The Workmans Club’s reputation as a live venue has risen faster than an atheist’s blood pressure at the Eucharistic Congress, so it’s no surprise that Meteor, patrons of both Ireland’s biggest music awards night and most accredited music award, elected to use it as the venue for their latest audio adventure mini-series in collaboration with Today FM’s Paul McLoone Show. An extensive guestlist and a live studio set-up flank the incoming visitors/fans/ticket winners/inebriated. As the first act takes the stage, McLoone introduces them with the little tidbit of information that tonight’s original headliners, Le Galaxie, have pulled out at the last minute and have been replaced by Delorentos. The crowd seems to accept this information with a mild incredulity, but that may just be the booze taking control. Inhibitions dropped. Phasers set to ‘enjoy self at all costs’.

The Strypes’ biggest disadvantage is that you know exactly what they sound like before they so much as move their lips. Armed with impossibly-Merseyside haircuts and carefully tailored military-style suit jackets, they treat the mostly receptive crowd to some rockabilly and a bottle o’ blues. Being 15 (give or take) years of age, it’s no crime to wear your influences on your sleeves – the guitarist’s strap has pictures from the cover of A Hard Day’s Night emblazoned on – but they don’t offer anything new or original, their set drowned in garage versions of Chuck Berry, Earl Hines and Bo Diddley covers. The crowd has a good time, bopping as much as Dublin audiences allow themselves to, but The Strypes seem condemned to forever be in search of a fanbase that wears only polka dot dresses and enjoys dancing the mashed potato, having taken enough drugs to believe they’re caught in a real-life episode of Happy Days. They leave the stage after 7 songs, the last of which takes up about half the length of their set. They may have great success as a pub band, but the novelty of being so young will wear off all too quickly.

After half an hour’s break, Fionn Regan humbly makes his way to the microphone, perpetually thanking the audience; the contrast between his soft demeanour and the ‘these-go-to-11’ performance of The Strypes is about as subtle as whiplash. He commands a decent level of respect from those gathered. Attentive fans in the dark shush other, louder fans in the dark as casual conversation threatens to dominate the acoustic guitar. Regan plays four tracks off his new album, The Bunkhouse Vol I: Anchor Black Tattoo, before playing ‘Dogwood Blossom’ from his previous record. Then just one more new song and he’s off after a shade over 20 minutes onstage.

When Delorentos eventually come on, reaction is mixed. People flow in and out, the flux of bodies generally keeping the room at a steady ‘half-full’. Plenty have left to catch the last bus, some die-hard Le Galaxie fans have left in gentle, silent disgust, others just couldn’t care. I have a lot of sympathy for a band in this situation. Le Galaxie themselves will know this pain from their previous incarnation as 66e, when they, unannounced, replaced a mysteriously withdrawn Bright Eyes at Oxegen 2005 to much the same result: a half-emptied tent and the half who are left weighing up whether it’s worth staying to see a band they don’t know and didn’t come for. It’s a no-win scenario, but Delorentos seek to make the best of it. They open up with ‘Pace Yourself’ from this years’ Little Sparks and, in the true Irish ‘fuck it anyway’ spirit, put on the kind of show you’d expect a much bigger band to give to a sold-out arena, and all watching lose themselves in the music once more.


About the Author

Rú Hickson

Despite initial wealth, Ru bankrupted himself by acquiring every existing second-hand copy of Duke Nukem Forever and placing it in a pile he uses for the express purposes of urinating onto and crying over in an unhealthy, but surprisingly therapeutic, downward spiral.

  • http://www.lisamcinerney.com Lisa McInerney

    Delos might not be the most challenging of bands to get into, but having seen them live I was completely blown away and have harboured a massive bandcrush on them since. They are fantastic.

  • http://twitter.com/Jenabelle4 Jenny McGovern

    I was at the gig and have seen the Strypes s. Yes they play obscure covers that many people don’t know- but they play them with ease and confidence.
    And Guess What! They DO actually play their own original songs. I know for a fact that they played their song “Blue Collared Jane” at last week’s set but maybe you didn’t notice it…as you had already written them off as a cover band.
    The Strypes, live Rhythm and Blues, they’ve never hidden their influences and they’re very clear about the direction they want their music to go.
    I was fortunate enough to attend a few music festivals over the summer, and The Strypes played at all of them- they played at Electric Picnic three times. And at each gig, the crowds always react the same. “Oh who are these little lads” “Oh they’re dressed in their school uniforms-so cute” but then when The Strypes start their set people quickly become in awe of their stage show. They have had encores at each of their sets, from every type of audience member imaginable….not just people dressed in polka dots doing the mashed potato. Thought there has been a few of those.
    Perhaps you also failed to notice what talented musicians these lads are for their age? But as you say this novelty will wear off when they grow up…. fortunately for them they are already on a great road to international success with many labels interested in them. So perhaps the masses will still be able to enjoy the wee Strypes in bigger and better venues- where they will undoubtedly rock the place.
    Because it will be a long, long time until they are relegated to the pub scene.

  • JD

    I was at the gig too. Not a big fan of Delorentos but enjoyed their set. They certainly didn’t phone it in or treat the slot as a last-minute replacement job. Fair play.

    Fionn Regan did a fine job, but was completely out of his element on a night like this. Felt sorry for him. Very poor booking IMO.

    Saw The Strypes at Electric Picnic and was hugely impressed by how tight and assured their playing was for their age. Second time around and already the novelty was wearing off. All I kept noticing was the complete lack of originality. Good to see I’m not the only person bothered that way. And one of the songs they played was an original?? Wow. If even their originals don’t sound original, then they might as well go direct to Simon Cowell.

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